"Cinematic works with swagger and sway from Antheil’s later, more tonal period; save for 1921’s The Golden Bird. The German players are on point and the recording top-notch." — BBC Music Magazine, April 2020 ★★★★☆
The life story of the American composer and pianist George Antheil is the tale of a multiple taming. Almost a hundred years ago the young Antheil set out to conquer Europe with his 'ultramodern' piano compositions and soon came to regard himself as the enfant terrible of contemporary music. His early concerts created sensational public scandals; audience members laughed and exchanged blows when he performed, and the press corps polarized the public. The present production follows the winding path taken by this composer with four standout works exemplifying his various creative periods. Golden Bird (1921), an exotically instrumented miniature of »Chinese coloration,« is followed by the iridescent music for the ballet Dreams (1934), which Antheil wrote in response to a commission from the famous choreographer George Balanchine. The two Serenades (1947-48) show us a composer of digestible and easily graspable music who was searching for a genuine 'American tone' and during the course of his life learned that modesty can be a key to success.
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"Cinematic works with swagger and sway from Antheil’s later, more tonal period; save for 1921’s The Golden Bird. The German players are on point and the recording top-notch." — BBC Music Magazine, April 2020 ★★★★☆
The life story of the American composer and pianist George Antheil is the tale of a multiple taming. Almost a hundred years ago the young Antheil set out to conquer Europe with his 'ultramodern' piano compositions and soon came to regard himself as the enfant terrible of contemporary music. His early concerts created sensational public scandals; audience members laughed and exchanged blows when he performed, and the press corps polarized the public. The present production follows the winding path taken by this composer with four standout works exemplifying his various creative periods. Golden Bird (1921), an exotically instrumented miniature of »Chinese coloration,« is followed by the iridescent music for the ballet Dreams (1934), which Antheil wrote in response to a commission from the famous choreographer George Balanchine. The two Serenades (1947-48) show us a composer of digestible and easily graspable music who was searching for a genuine 'American tone' and during the course of his life learned that modesty can be a key to success.